A work in constant progress (and occasional regress).
Born:
April 1, 1935
Died:
June 15, 2015
Josef Topol (April 1, 1935 – June 15, 2015) was a Czech playwright and poet, known for his contributions to modern Czech theater. He co-founded the Divadlo za branou (Theatre Beyond the Gate) in Prague in 1965, which was later shut down by the Czechoslovak government in 1972. Topol was a signatory of Charter 77, a human rights declaration opposing the communist regime in Czechoslovakia. His works often explored themes of human struggle, political oppression, and existential dilemmas. Some of his notable plays include Their Day (1959) and End of Carnival (1969). Topol was married to Jiřina Topolová, the daughter of writer Karel Schulz, and had two sons: Jáchym Topol, a distinguished writer, and Filip Topol, a musician and frontman of the underground band Psí vojáci, which became an artistic voice of resistance. Beyond his professional and family life, Topol shared a deep personal bond with Vlastimil Harapes, the celebrated Czech ballet dancer. Harapes revealed that they had lived together for 44 years in the same house on Malá Strana, Prague, and that he considered Filip Topol as his own son, even assisting him in finding an apartment. While Harapes did not explicitly define their relationship as romantic, he acknowledged their unwavering companionship and mutual support, highlighting the significance of their connection.
Author:
1991 Sbohem, Sokrate
Dialogue:
1971 Radúz a Mahulena
1991 Sbohem, Sokrate
Screenplay:
1962 Jejich den
1970 Rohovín Čtverrohý
1970 Veselohra na mostě
1971 Radúz a Mahulena
1991 Sbohem, Sokrate
Theatre Play:
1962 Jejich den
1970 Rohovín Čtverrohý
1970 Veselohra na mostě
1971 Radúz a Mahulena
1991 Sbohem, Sokrate
Writer:
1962 Jejich den
1970 Rohovín Čtverrohý
1970 Veselohra na mostě
1971 Radúz a Mahulena
1991 Sbohem, Sokrate
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.