A work in constant progress (and occasional regress).
Alias:
John A. Jurko II
Birthplace:
Yankee Lake, OH
Born:
April 24, 1982
John Jurko II is the lead director and producer who has overseen the completion of Rhino Man since 2018. After receiving a BA in Film Production and Philosophy, he lived in LA, where he worked in the camera department of many indie films. He then moved to Atlanta, where he was drawn to Rhino Man for its story and potential as a social impact project. He created and hosts The Rhino Man Podcast to further build awareness of the importance of rangers, the rhino poaching crisis, and our need to connect local communities to protected areas. John has presented to audiences such as His Royal Highness Prince William, government, international financial crime delegates, law enforcement, and conservation NGOs.
Digital Imaging Technician:
2014 Starry Eyes
2015 Bone Tomahawk
Director:
2014 Starry Eyes
2015 Bone Tomahawk
2024 Rhino Man
Director of Photography:
2014 Fuck the Lake
2014 Starry Eyes
2015 Bone Tomahawk
2024 Rhino Man
First Assistant "A" Camera:
2014 Fuck the Lake
2014 Starry Eyes
2015 Bone Tomahawk
2022 Bean and the Babysitter
2024 Rhino Man
Producer:
2014 Fuck the Lake
2014 Starry Eyes
2015 Bone Tomahawk
2022 Bean and the Babysitter
2024 Rhino Man
Title Graphics:
2013 Feed Me
2014 Fuck the Lake
2014 Starry Eyes
2015 Bone Tomahawk
2022 Bean and the Babysitter
2024 Rhino Man
Writer:
2013 Feed Me
2014 Fuck the Lake
2014 Starry Eyes
2015 Bone Tomahawk
2022 Bean and the Babysitter
2024 Rhino Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.