A work in constant progress (and occasional regress).
Birthplace:
Australia
Allison Chhorn is a Cambodian-Australian filmmaker and interdisciplinary artist living on Kaurna Land (South Australia). Her work explores the effects of migrant displacement and post-memory through impressionistic forms, often with other family members as subjects. Since graduating with Honours in painting at UniSA in 2014, she has made numerous films including ‘Blind Body’, ‘Missing’ and ‘The Plastic House’. The latter was filmed on her family’s farm and has screened at MIFF, New York Film Festival and the Asia Pacific Triennial of Contemporary Art. Her films were also screened as part of a retrospective at the 11th Cambodian International Film Festival. Crossing into the gallery, she received the 2022 Porter St Commission from ACE Gallery to make her first solo exhibition and multi-channel installation ‘Skin Shade Night Day’ which was exhibited as part of The National: Australian Art Now at MCA in 2023.
Cinematography:
2018 Last Time
2021 The Plastic House
Director:
2015 Unslept
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Editor:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Music:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Producer:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Sound:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Sound Designer:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Writer:
2015 Stanley's Mouth
2015 Unslept
2017 Youth on the March
2018 Last Time
2021 Blind Body
2021 Missing
2021 The Plastic House
2022 Skin Shade Night Day
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.