A work in constant progress (and occasional regress).
Boom Operator:
2013 Shopping
2016 Paris 05:59 / Théo & Hugo
Sound:
2013 Shopping
2016 Paris 05:59 / Théo & Hugo
2017 Orfeo
2018 Station
2018 The Wanderings of Ivan
2020 JA
2020 Rose Minitel
2022 Erratum
2024 Alazar
2024 Aux réformés
2025 The Mountain Won’t Move
Sound Director:
2013 Shopping
2016 Paris 05:59 / Théo & Hugo
2017 All That Remains
2017 Orfeo
2018 Station
2018 The Wanderings of Ivan
2020 JA
2020 Rose Minitel
2022 Erratum
2024 Alazar
2024 Aux réformés
2025 The Mountain Won’t Move
Sound Engineer:
2013 Shopping
2016 Paris 05:59 / Théo & Hugo
2017 All That Remains
2017 Orfeo
2018 Station
2018 The Wanderings of Ivan
2020 Gone Youth
2020 JA
2020 Rose Minitel
2020 The Spark
2021 Summer Friends
2022 Erratum
2024 Alazar
2024 Aux réformés
2025 The Mountain Won’t Move
Sound Mixer:
2013 Shopping
2016 Goliath
2016 Paris 05:59 / Théo & Hugo
2017 All That Remains
2017 Orfeo
2018 Station
2018 The Wanderings of Ivan
2020 Gone Youth
2020 JA
2020 Rose Minitel
2020 Summer Time
2020 The Spark
2021 Summer Friends
2022 Erratum
2024 Alazar
2024 Aux réformés
2025 A Violent World
2025 The Mountain Won’t Move
Sound Recordist:
2013 Shopping
2016 Goliath
2016 Paris 05:59 / Théo & Hugo
2017 All That Remains
2017 Orfeo
2018 Station
2018 The Wanderings of Ivan
2020 Gone Youth
2020 JA
2020 Rose Minitel
2020 Summer Time
2020 The Spark
2021 Summer Friends
2022 Erratum
2022 Out of the Blue
2024 Alazar
2024 Aux réformés
2025 A Violent World
2025 The Mountain Won’t Move
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.