A work in constant progress (and occasional regress).
Sound:
1984 I'm Hungry, I'm Cold
1992 Les miettes du purgatoire
1996 Rainer Maria Rilke
2014 Brèves de comptoir
2018 Infidelity
Sound Engineer:
1984 I'm Hungry, I'm Cold
1992 Les miettes du purgatoire
1996 Rainer Maria Rilke
2014 Brèves de comptoir
2018 Infidelity
2021 Knock, Knock, It's Mom!
2024 A Little Something Extra
Sound Mixer:
1982 Soeur Anne ne vois-tu rien venir?
1983 A Nos Amours
1984 I'm Hungry, I'm Cold
1985 Sadness and Beauty
1992 Les miettes du purgatoire
1996 Rainer Maria Rilke
2008 A Day at the Museum
2014 Brèves de comptoir
2017 You Choose!
2018 Infidelity
2019 No Filter
2021 Knock, Knock, It's Mom!
2021 Off-Season
2022 Happy 50
2024 A Little Something Extra
2025 100 millions !
Sound Supervisor:
1982 Soeur Anne ne vois-tu rien venir?
1983 A Nos Amours
1984 I'm Hungry, I'm Cold
1985 Sadness and Beauty
1992 Les miettes du purgatoire
1996 Rainer Maria Rilke
2008 A Day at the Museum
2014 Brèves de comptoir
2017 You Choose!
2018 Infidelity
2018 Woman at War
2019 No Filter
2021 Knock, Knock, It's Mom!
2021 Off-Season
2022 Happy 50
2024 A Little Something Extra
2025 100 millions !
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.