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Carole Rousseau (b. 1967)

Birthplace:
La Garenne-Colombes, Hauts-de-Seine, France

Born:
December 25, 1967

Biography from TheMovieDB

Carole Rousseau (born 25 December 1967) is a French television presenter.  Carole was born in La Garenne-Colombes in the department of Hauts-de-Seine. After studying law and obtaining a DESS (Diplôme d'études supérieures spécialisées) in audiovisual communication law, she started in 1991 working on FR3 with Jean-Marie Cavada for the program La Marche du Siècle. After being a production assistant for Le Droit de savoir with Charles Villeneuve from 1993 to 1996, she joined France 2 from September 1996 to June 1997 to present the program Déjà dimanche with Jean-Luc Delarue.  In 1997, she joined TF1 to co-host the program Plein les yeux with Jacques Legros (primetime compiling shocking images) and then to co-host Célébrités with Stéphane Bern. From 1997 to 1999, Carole Rousseau also presented several special programs such as Tirage de la Coupe du Monde at the Stade Vélodrome of Marseille, and Le Millénium on 31 December 1999 with Jean-Claude Narcy.  From Wikipedia, the free encyclopedia

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Film Performances

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Film Production

Presenter:
2016  90' enquêtes Marseille : entre luxe, misère et délinquance

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TV Performances

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TV Production

Presenter:
2018  Enquête sous haute tension

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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