A work in constant progress (and occasional regress).
Alias:
Maximus Vrancic
ReviewtheBacon
An aspiring filmmaker from Australia striving in making content that is different and original that will squeeze the emotion out of viewers whether it's joy or sadness. As of 2018, Max is releasing his films on YouTube on the channel, MAX. Films
Assistant Gaffer:
2022 Influence
Costume Design:
2019 Welcome Back Harry
2022 Influence
Director:
2019 Welcome Back Harry
2022 Influence
???? Sometimes with the One I Love
Director of Photography:
2019 Welcome Back Harry
2022 Influence
???? Sometimes with the One I Love
Editor:
2019 Welcome Back Harry
2022 Influence
???? Sometimes with the One I Love
Producer:
2019 Welcome Back Harry
2022 Influence
???? Sometimes with the One I Love
Writer:
2019 Welcome Back Harry
2022 Influence
???? Sometimes with the One I Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.