Ned Donovan

Birthplace:
Portland, Maine, USA

Ned is a multi-hyphenate artist based out of New York City working in Theatre, Podcasting, Television, and Film. Originally from Portland, Maine, Ned has always had a passion in performing and creating unique, exciting projects across a wide variety of mediums.  Ned holds a BFA in Musical Theatre from Ithaca College and it was in that field that he began his career in NYC performing in theatrical productions around the country and becoming a member of the Actors' Equity Association. As his career on stage developed, he started producing his own work. His production company, Charging Moose Media, has created award-winning projects ranging from albums, to podcasts, to music videos, to episodic web series. ​Outside of the entertainment industry Ned has worked in many different industries including tech startups, finance, cryptocurrency, food & dining, real estate, legal administration, graphic/web design, social media management, and even at one time held a New York City taxi license. His breadth of experience throughout his career led him to a passion for identifying holes in markets and creating solutions to better his communities and uplift indie artists.  ​He is the CEO and co-founder of Audition Cat, an upcoming app of career management tools for actors. Alongside veteran actor Tony Aidan Vo, Ned is looking to help actors gain better insight into their work and help them manage their professional careers more efficiently.​  Ned's web series, The Hunted: Encore won more than 70 awards at over 50 festivals worldwide and ranked #4 US, #27 Worldwide in the 2018 Web Series World Cup. Recognizing the lack of pipeline and organized recognition in the Fiction Podcast space, Ned partnered with the New Jersey Web Festival to launch the world's first film festival experience for Fiction Podcasts and Actual Play content. He has since worked with 15 festivals worldwide to bring these programs to their festivals. Working alongside the WSWC, Ned launched the Audio Fiction World Cup, an industry-first circuit of festivals dedicated to these emerging artforms.  No matter the context, Ned's work is about growth, discovery, and being open to opportunity when it comes calling. Job interviewers often ask "Where do you see yourself in five years?", but if you had asked that of Ned throughout his career he never could have predicted the successes he would find where he least expected them.

Additional information:

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Associate Producer:
2017  Desolation

Creator:
2023  Encounter Party

Editor:
2023  Encounter Party

Executive Producer:
2023  Encounter Party

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.