A work in constant progress (and occasional regress).
Additional First Assistant Camera:
2024 The Book of Clarence
Assistant Camera:
2019 Don't Stop Me Now
2019 Martin Eden
2024 The Book of Clarence
Cinematography:
2019 Don't Stop Me Now
2019 Martin Eden
2021 Sacrificio disumano
2024 The Book of Clarence
2025 2020: Odissea nello spazio Covid
Digital Compositor:
2019 Don't Stop Me Now
2019 Martin Eden
2021 Sacrificio disumano
2023 The Baby
2024 The Book of Clarence
2024 The Wages of Fear
2025 2020: Odissea nello spazio Covid
Director:
2019 Don't Stop Me Now
2019 Martin Eden
2021 Roots
2021 Sacrificio disumano
2023 The Baby
2024 The Book of Clarence
2024 The Wages of Fear
2025 2020: Odissea nello spazio Covid
Drone Operator:
2017 Stratton
2018 Made in Italy
2019 Don't Stop Me Now
2019 Martin Eden
2021 Roots
2021 Sacrificio disumano
2023 The Baby
2024 The Book of Clarence
2024 The Wages of Fear
2025 2020: Odissea nello spazio Covid
VFX Artist:
2017 Stratton
2018 Made in Italy
2019 Don't Stop Me Now
2019 Martin Eden
2021 Roots
2021 Sacrificio disumano
2023 The Baby
2024 The Book of Clarence
2024 The Wages of Fear
2025 2020: Odissea nello spazio Covid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.