A work in constant progress (and occasional regress).
Ehsan Vaseghi was born in Tehran. He started with photography and continued his professional activity as a film editor. Simultaneously, he completed his degree in the same field. He started his career in 2007. Known for Atomic Heart Mother (2015) , Apricot Groves (2016) , Disappearance (2017), Hendi & Hormoz(2018) Song Sparrow (2019), Exam (2019)
Assistant Editor:
2013 The Painting Pool
2018 When Did You See Sahar Last Time?
Colorist:
2013 Soil And Coral
2013 The Painting Pool
2018 When Did You See Sahar Last Time?
Editor:
2013 Soil And Coral
2013 The Painting Pool
2017 Apricot Groves
2017 Disappearance
2018 Delay
2018 The Role
2018 When Did You See Sahar Last Time?
2019 Exam
2019 Song Sparrow
2020 Witness
2021 Blackness
2021 Breach
2022 File
2022 Sculpture
2022 Until Tomorrow
2023 Terrestrial Verses
2023 The Untouchable
2024 Reparation
Post Production Assistant:
2013 Soil And Coral
2013 The Painting Pool
2015 A Flag Without a Country
2017 Apricot Groves
2017 Disappearance
2018 Delay
2018 The Role
2018 When Did You See Sahar Last Time?
2019 Exam
2019 Song Sparrow
2020 Witness
2021 Blackness
2021 Breach
2022 File
2022 Sculpture
2022 Until Tomorrow
2023 Terrestrial Verses
2023 The Untouchable
2024 Reparation
Technical Advisor:
2013 Duet
2013 Soil And Coral
2013 The Painting Pool
2015 A Flag Without a Country
2017 Apricot Groves
2017 Disappearance
2018 Delay
2018 The Role
2018 When Did You See Sahar Last Time?
2019 Exam
2019 Song Sparrow
2020 Witness
2021 Blackness
2021 Breach
2022 File
2022 Sculpture
2022 Until Tomorrow
2023 Terrestrial Verses
2023 The Untouchable
2024 Reparation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.