A work in constant progress (and occasional regress).
Camera Technician:
2018 High Resolution
Cinematography:
2011 After Ever After: Or Numbers on a Napkin
2013 The Earth, the way I left it
2018 High Resolution
2024 Asynchronous
Director of Photography:
2011 After Ever After: Or Numbers on a Napkin
2013 The Earth, the way I left it
2017 Kid Wise - Hold On
2018 High Resolution
2018 The Dead Can Talk: A conversation with George Anderson
2019 The New York Yankees: Behind the Broadcast
2024 Asynchronous
First Assistant "A" Camera:
2011 After Ever After: Or Numbers on a Napkin
2013 The Earth, the way I left it
2017 Kid Wise - Hold On
2018 High Resolution
2018 The Dead Can Talk: A conversation with George Anderson
2019 The New York Yankees: Behind the Broadcast
2021 Halloween Kills
2024 Asynchronous
First Assistant "B" Camera:
2011 After Ever After: Or Numbers on a Napkin
2013 The Earth, the way I left it
2017 Kid Wise - Hold On
2018 Furlough
2018 High Resolution
2018 The Dead Can Talk: A conversation with George Anderson
2019 The New York Yankees: Behind the Broadcast
2021 Halloween Kills
2024 Asynchronous
First Assistant Camera:
2011 After Ever After: Or Numbers on a Napkin
2013 The Earth, the way I left it
2016 White Girl
2017 Kid Wise - Hold On
2018 Furlough
2018 Halloween
2018 High Resolution
2018 The Dead Can Talk: A conversation with George Anderson
2019 The Informer
2019 The New York Yankees: Behind the Broadcast
2021 Halloween Kills
2024 Asynchronous
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.