A work in constant progress (and occasional regress).
Ruth Ann Harnisch is an American investor, activist and philanthropist native Buffalo, New York. As a teenager, she worked as DJ for WYSL-FM in Buffalo under the name Karin Kelly. She briefly worked for Buffalo-based WGR-TV and WKBW-TV. After moving to Nashville, Tennessee, Ruth Ann Leach worked for WLAC-AM, as a television reporter and anchor for WTVF, and as a columnist for the Nashville Banner. She is married William Harnisch, and founded The Harnisch Foundation in 1998. After retiring from her journalism career, she chaired the board of the non-profit More Than Money, whose coaching program inspired Harnisch to learn about professional coaching. She joined the International Coach Federation and the International Association of Coaches. In 2006, she co-founded The Foundation of Coaching.
Associate Producer:
2017 Humor Me
2021 Act Social
Co-Executive Producer:
2017 Humor Me
2021 Act Social
2022 Art & Krimes by Krimes
2023 Confessions of a Good Samaritan
Executive Producer:
2015 The Hunting Ground
2017 Columbus
2017 Humor Me
2017 Lucky
2017 Unrest
2018 Night Comes On
2018 The Feeling of Being Watched
2019 The House of Tomorrow
2021 Act Social
2022 Art & Krimes by Krimes
2022 Battleground
2022 Body Parts
2023 Another Body
2023 Art for Everybody
2023 Breaking the News
2023 Confessions of a Good Samaritan
2023 Joonam
2024 Look Into My Eyes
2024 Love to the Max
2024 Maya and the Wave
2024 Mrs Robinson
2024 Patrice: The Movie
2024 Satisfied
2024 Viva Verdi!
2025 Arrest the Midwife
2025 Heightened Scrutiny
2025 Life After
2025 Marlee Matlin: Not Alone Anymore
2025 Move Ya Body: The Birth of House
2025 Runa Simi
2025 She Runs the World
2025 State of Firsts
2025 The Librarians
2025 We Are Pat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.