A work in constant progress (and occasional regress).
Alias:
Sergei Lando
Сергей Ландо
Birthplace:
Rybinsk, USSR (Russia)
Born:
January 16, 1956
In 1987 he graduated from the Gerasimov Institute of Cinematography as a camera operator. Since 1987, he has worked as a director of photography at Lenfilm, where he shot the films Gisele’s Mania; The Circus Burned Down, The Clowns Are Gone; Backdoor; The Day of the Beast, and others. He has shot a number of documentary films, including Through the Looking-Glass; The Russians Have Left; Farukh and Diana; Three Days and Never Again; Noah; Genius Loci; Ulyana Lopatkina, or Dances on Weekdays and on Holidays; Petersburg Dolls; and others. He has also worked as director and screenwriter of documentary films. He worked as a camera operator for television (for the Kultura channel). Member of the Russian Union of Cinematographers, member of the Russian Guild of Camera Operators; member of Imago, member of the Russian Guild of Non-Narrative Cinema. Professor at the Russian State Insitute of Film and Television since 2001, where he teaches a course in the Cinematography Department for camera operators.
Camera Operator:
1998 Three Days and Never Again
2000 My darling asterisk
2004 Burdocks
2009 Nikolai Gogol's Hand
2017 The Last Waltz
2018 Heavenly Tamper
Director:
1998 Three Days and Never Again
2000 My darling asterisk
2004 Burdocks
2009 Nikolai Gogol's Hand
2017 The Last Waltz
2018 Heavenly Tamper
2019 Mr. Skvortsov's Lost Train
2023 Portrait of the Artist on a Historical Background
2024 Сергей Астахов, или Механика киноискусства
Director of Photography:
1991 The Russians Are Gone
1995 Gisele's Mania
1997 The Iron Heel of Oligarchy
1998 The Circus Burned Down and the Clowns Scattered
1998 Three Days and Never Again
1999 The Fragile Thing
2000 My darling asterisk
2002 Не делайте бисквиты в плохом настроении
2004 Burdocks
2007 Antonina Turned Around
2007 Пробуждение
2009 Nikolai Gogol's Hand
2011 Evacuation Romance
2017 The Last Waltz
2018 Heavenly Tamper
2018 Workshop
2019 Mr. Skvortsov's Lost Train
2023 Portrait of the Artist on a Historical Background
2024 Сергей Астахов, или Механика киноискусства
Screenplay:
1991 The Russians Are Gone
1995 Gisele's Mania
1997 The Iron Heel of Oligarchy
1998 The Circus Burned Down and the Clowns Scattered
1998 Three Days and Never Again
1999 The Fragile Thing
2000 My darling asterisk
2002 Не делайте бисквиты в плохом настроении
2004 Burdocks
2007 Antonina Turned Around
2007 Пробуждение
2009 Nikolai Gogol's Hand
2011 Evacuation Romance
2017 The Last Waltz
2018 Heavenly Tamper
2018 Workshop
2019 Mr. Skvortsov's Lost Train
2023 Portrait of the Artist on a Historical Background
2024 Сергей Астахов, или Механика киноискусства
Writer:
1991 The Russians Are Gone
1995 Gisele's Mania
1997 The Iron Heel of Oligarchy
1998 The Circus Burned Down and the Clowns Scattered
1998 Three Days and Never Again
1999 The Fragile Thing
2000 My darling asterisk
2002 Не делайте бисквиты в плохом настроении
2004 Burdocks
2007 Antonina Turned Around
2007 Пробуждение
2009 Nikolai Gogol's Hand
2011 Evacuation Romance
2017 The Last Waltz
2018 Heavenly Tamper
2018 Workshop
2019 Mr. Skvortsov's Lost Train
2023 Portrait of the Artist on a Historical Background
2024 Сергей Астахов, или Механика киноискусства
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.