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Lisa Truttmann

Biography from TheMovieDB

Lisa Truttmann is an artist and filmmaker based in Vienna. She weaves documentary elements into staged settings and essayistic montages, tracing the structures of social, urban and natural landscapes. Trad studied Transmedia Arts at the University of Applied Arts in Vienna and received a Fulbright scholarship for her graduate studies in Film/Video at California Institute of the Arts. Her moving images and installations have been shown at venues such as CPH:DOX, Viennale, New York FF Projections, Images Festival Toronto, Jihlava IDFF, Bertha DocHouse London, Ann Arbor FF, Alianza Francesa Buenos Aires, MAK Vienna, and Kunsthalle Project Space. Truttman teaches at the University of Art and Design Linz, the University of Applied Arts Vienna and is a member of the Golden Pixel Cooperative.

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Film Production

Cinematography:
2015  Untitled

Director:
2009  Golden Boys
2013  Anything Can Happen
2013  Water Fields
2014  Babash
2015  6500
2015  Tabula Rasa
2015  Untitled
2017  Tarpaulins
2018  The Courser
2021  Characters
2021  Memorabilien (Excavate)
2022  Critters Chorus, Cycle 1

Editor:
2009  Golden Boys
2013  Anything Can Happen
2013  Water Fields
2014  Babash
2015  6500
2015  Tabula Rasa
2015  Untitled
2017  Tarpaulins
2018  The Courser
2021  Characters
2021  Memorabilien (Excavate)
2022  Critters Chorus, Cycle 1
2022  Dear Darkness

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.