A work in constant progress (and occasional regress).
Born in a quiet Washington town, Angelo discovered his love for movies at a very young age. But it wasn't until the middle of pursuing a biblical studies degree at Simpson University, where his passion and opportunity would collide. In the fall of '04, the Los Angeles Film Studies Center would bring him to Hollywood and land him an internship in the feature production office at 20th Century Fox. His time on the studio lot earned him acceptance into Act One, an intense writing program designed to guide and mentor budding storytellers. By the fall of '07, he was surrounded by a tight-knit group of filmmakers, who were young, talented, and just as broke as everybody else. Yet it was through these intimate relationships that he found success, launching Paper Crane Productions' first short film, Grande Drip. It featured music from Ingrid Michaelson and a hilarious cameo by the director of Pretty Woman, Garry Marhshall. Angelo would go on to write and produce several commercials along with his second award-winning short, Knight to D7, which featured performances by Emmy-winners Jackée (Sister Sister, 227) and Hector Elizondo (Chicago Hope, Valentine's Day) scored by the Grammy-winning composer, Mateo Messina (Juno). As he continues to create the future, Angelo hopes that the Paper Crane Team will strive to produce stories that are not only entertaining and compelling, but also significant.
Director:
2009 Grande Drip
Editor:
2009 Grande Drip
Producer:
2009 Grande Drip
2016 Auto Draft
2016 Without Accoutrements
Story:
2009 Grande Drip
2016 Auto Draft
2016 Without Accoutrements
Writer:
2009 Grande Drip
2011 Knight to D7
2016 Auto Draft
2016 Without Accoutrements
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.