A work in constant progress (and occasional regress).
Alias:
Sergei Machilski
Sergei Machilskiy
Sergei Machilsky
Sergey Machilski
Sergey Machilskiy
Сергей Мачильский
Birthplace:
Yalta, USSR (Russia)
Born:
June 1, 1961
Camera Operator:
1992 Co-op Politburo, or Will be a Long Farewell
2003 Kamikaze Diary
Director of Photography:
1988 Publication
1990 Neustanovlennoye Litso
1992 Co-op Politburo, or Will be a Long Farewell
1992 Cracked
1994 Creation of Adam
1994 Hammer and Sickle
1996 The Arrival of a Train
1996 Мужские откровения
1997 American Bet
1997 The Bomb
1999 Love in Russian 3: Governor
1999 The Admirer
2001 The Mastermind
2002 In Motion
2002 Mechanical Suite
2003 Kamikaze Diary
2003 Peculiarities of the National Politics
2004 Our Own
2006 The Connection
2008 Green Theatre in Zemfira
2008 The One Who Switches Off the Light
2009 Pussycat
2009 The Man Who Knew Everything
2009 The Man at the Window
2010 Classmates
2010 Moscow, I Love You!
2012 Sky Court
2014 Chagall-Malevich
2014 Mirrors
2014 The Adventurers
2016 Contribution
2016 Hammer
2016 Just Like Grown Ups
2016 The Stars Have Aligned
2017 Neophyte
2018 Ailing Angel
2019 High Above
2019 The Perseus Survivor
2020 Doctor Lisa
2025 Kraken
2025 Rowing for Gold
Camera Operator:
2009 Одержимый
Director of Photography:
2009 Одержимый
2011 Sky Court
2014 Sky Court. Continuation
2016 Investigator Tikhonov
2017 Neophyte
2018 Контрибуция
2020 Bomb
2021 Pushkin's Fairy Tales. For Adults
2021 The Official
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.