A work in constant progress (and occasional regress).
Alias:
Douglas K. Stone
George Letz
George Montgomery Letz
Birthplace:
Brady, Montana, USA
Born:
August 29, 1916
Died:
December 12, 2000
George Montgomery was boxing champion at the University of Montana, where he majored in architecture and interior design. Dropping out a year later, he decided to take up boxing more seriously, and moved to California, where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture, until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford -- though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra. In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe, in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavourably with that of Humphrey Bogart and found the film 'pallid' overall. So it was back to the saddle for George. Unable to shake his image as a cowboy actor, he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall Desperado (1953) and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60's, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines. At the height of his popularity, George attracted as much publicity for his acting, as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.
Director:
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1970 Satan's Harvest
Producer:
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1970 Satan's Harvest
Screenplay:
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1970 Satan's Harvest
Set Decoration:
1944 Strange Affair
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1970 Satan's Harvest
Special Effects:
1944 Strange Affair
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1966 Hallucination Generation
1970 Satan's Harvest
Stunts:
1935 The Singing Vagabond
1938 Hawk of the Wilderness
1938 The Purple Vigilantes
1944 Strange Affair
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1966 Hallucination Generation
1970 Satan's Harvest
Writer:
1935 The Singing Vagabond
1938 Hawk of the Wilderness
1938 The Purple Vigilantes
1944 Strange Affair
1961 The Steel Claw
1962 Samar
1964 Guerillas in Pink Lace
1964 Hell of Borneo
1966 Hallucination Generation
1970 Satan's Harvest
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.