James R. Wiley (b. 1996)

Born:
November 3, 1996

James is a multi-award winning cinematographer and director, whose work has premiered on Rolling Stone and Afropunk.  He's known as the founder of the narrative dance music video genre - a format that elevates the story through the synergy of dance with narration and music. He graduated from UNCSA School of Filmmaking, majoring in Cinematography.  In his work with Charlotte Ballet during the 2020 pandemic, James helped pioneer the universal paradigm shift in the ballet world toward the digital presentation of premiere performances.  At age 11, he won 1st place in the school science fair with his project on depth of field. That love of photography during childhood soon expanded into a passion for cinematography. During high school, he was voted 'Most Likely To Be Famous' by the senior class. The son of an author mother and a pilot father, James played numerous sports during his upbringing, including 9 years of competitive soccer, and was a varsity golfer in high school.  While a teenager, James volunteered five summers in a row, coaching youth at The First Tee - teaching golf skills, as well as the program's 'Nine Core Values': Honesty, Responsibility, Respect, Perseverance, Sportsmanship, Courtesy, Judgment, Confidence and Integrity.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.