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Emily Ann Hoffman

Biography from TheMovieDB

an award winning animator, filmmaker, and artist. She has written and directed three short films thus far, Nevada (2017), Ok, Call Me Back (2016), and The Emily & Ariel Show (2015) which have all screened at Academy Award qualifying festivals and internationally. She spent 2017 as a Sundance Ignite Fellow and recently emerged from an Emerging Artist Fellowship at the Jacob Burns Film Center. She is currently a screenwriting mentee with Sundance’s Feature Film Program. She has a BFA from the Rhode Island School of Design.

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Additional information:

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Film Performances

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Film Production

Animation:
2017  Nevada

Animation Director:
2017  Nevada
2020  Tahara

Director:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara

Editor:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara

Lead Animator:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara

Production Designer:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara

Set Decoration:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara
2023  Carmen & Moony

Writer:
2015  The Emily & Ariel Show
2017  Nevada
2017  Ok, Call Me Back
2019  Bug Bite
2020  Blackheads
2020  Tahara
2023  Carmen & Moony

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.