A work in constant progress (and occasional regress).
Alias:
Yoshio Okouchi
大河内喜夫
Compositing Artist:
2022 Kaguya-sama: Love Is War -The First Kiss That Never Ends-
2023 Fate/strange Fake -Whispers of Dawn-
Director of Photography:
2021 Sing a Bit of Harmony
2022 Kaguya-sama: Love Is War -The First Kiss That Never Ends-
2023 Fate/strange Fake -Whispers of Dawn-
Compositing Artist:
2023 MASHLE: MAGIC AND MUSCLES
2023 NieR:Automata Ver1.1a
2024 Makeine: Too Many Losing Heroines!
Director of Photography:
2002 Ai Yori Aoshi
2006 Yomigaeru Sora – Rescue Wings
2007 Nodame Cantabile
2009 Sweet Blue Flowers
2011 Heaven's Memo Pad
2014 Magimoji Rurumo
2014 Witch Craft Works
2015 One-Punch Man
2015 Prison School
2017 Alice & Zoroku
2017 Children of the Whales
2017 Urara Meirocho
2019 The Demon Girl Next Door
2023 MASHLE: MAGIC AND MUSCLES
2023 NieR:Automata Ver1.1a
2024 Makeine: Too Many Losing Heroines!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.