A work in constant progress (and occasional regress).
Additional Second Assistant Camera:
2022 Gatlopp
Assistant Camera:
2017 The Fox Creek Carver
2022 Gatlopp
Cinematography:
2017 The Fox Creek Carver
2018 The Cleanse
2022 Gatlopp
Colorist:
2017 The Fox Creek Carver
2018 The Cleanse
2022 Gatlopp
2023 Do Over
Director of Photography:
2017 The Fox Creek Carver
2018 The Cleanse
2021 The Lookout
2022 Gatlopp
2023 Do Over
???? Rigor Mortis
First Assistant Camera:
2016 War Crimes
2017 The Fox Creek Carver
2018 The Cleanse
2019 Deadly Assistant
2021 List of a Lifetime
2021 Secrets of an Escort
2021 The Lookout
2022 Gatlopp
2023 Do Over
???? Rigor Mortis
Gaffer:
2016 War Crimes
2017 The Fox Creek Carver
2018 The Cleanse
2019 Deadly Assistant
2021 List of a Lifetime
2021 Secrets of an Escort
2021 The Lookout
2022 Gatlopp
2023 Do Over
???? Rigor Mortis
???? The Dark Essence
Second Assistant Camera:
2016 War Crimes
2017 The Fox Creek Carver
2018 The Cleanse
2019 A Purgatory Story
2019 Deadly Assistant
2021 List of a Lifetime
2021 Secrets of an Escort
2021 The Lookout
2022 Gatlopp
2023 Do Over
???? Rigor Mortis
???? The Dark Essence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.