A work in constant progress (and occasional regress).
Assistant Director Trainee:
2018 JerryMaja's Detective Agency - The First Mystery
Director:
2016 The Betrayal
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2022 La Tumba
Extras Casting Coordinator:
2016 The Betrayal
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2019 Rosie
2022 La Tumba
First Assistant Director:
2014 Recoil
2015 Late Arrivals
2016 The Betrayal
2017 Acorn
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2019 Rosie
2022 La Tumba
Location Assistant:
2014 Get Up And Go
2014 Recoil
2015 Late Arrivals
2016 The Betrayal
2017 Acorn
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2019 Rosie
2022 La Tumba
Production Assistant:
2014 Get Up And Go
2014 Recoil
2015 Late Arrivals
2016 The Betrayal
2017 Acorn
2017 Soulsmith
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2019 Rosie
2022 La Tumba
Production Coordinator:
2014 Get Up And Go
2014 Recoil
2015 Late Arrivals
2016 The Betrayal
2017 Acorn
2017 Soulsmith
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2018 Scope
2019 Rosie
2022 La Tumba
Writer:
2014 Get Up And Go
2014 Recoil
2015 Late Arrivals
2016 The Betrayal
2017 Acorn
2017 Soulsmith
2017 Terminal
2018 JerryMaja's Detective Agency - The First Mystery
2018 Mother
2018 Scope
2019 Rosie
2022 La Tumba
Assistant Director Trainee:
2016 Can't Cope, Won't Cope
Production Assistant:
2016 Can't Cope, Won't Cope
2018 Finding Joy
Second Unit Director:
2016 Can't Cope, Won't Cope
2018 Finding Joy
2022 The House Across the Street
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.