A work in constant progress (and occasional regress).
After years of devoting her life to her family, and to nursing, Suzanne Johnson listened to her heart and made the leap from being a mother and nurse to following her dream of an acting career. She began her journey by enrolling in acting classes and combing the internet for casting announcements, gamely submitting herself for every part she thought would be a good fit. In her first feature film, Empty Space, a powerful drama, she was cast as a waitress in a rural diner trapped in an abusive relationship. After that role, she was hooked. A series of parts followed in several shorts, student films and features. Suzanne played a range of roles, including a mother to a dying girl in a faith-based film, the love interest of a sheriff in a rural town, a hippie psychic, and a Southern socialite with a poker fetish. It was a solid start to her film career but she wanted more. What would be the next big step? Working with her acting coach, Damon Shalit, they brainstormed how she could further her career. They decided that one great course of action would be to not only act but to produce a film in which she could star. Damon suggested she read some screenplays, and also recommended Joshua Henkin’s best-selling novel The World Without You. She immediately connected with the powerful material, and the character of grieving mother Marilyn deeply resonated with her. Apart from great similarities in their personalities, Marilyn’s trajectory as a mother who loses her only son to a terrorist act was an emotional journey that Suzanne felt compelled to fulfill.
Co-Executive Producer:
2021 Christmas with Felicity
Co-Producer:
2021 Christmas with Felicity
2023 Reporting for Christmas
Producer:
2021 Christmas with Felicity
2023 Reporting for Christmas
2023 Silent as the Grave
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.