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Paul Cameron (b. 1958)

Alias:
Paul A. Cameron

Birthplace:
Montreal, Quebec, Canada

Born:
May 30, 1958

Additional information:

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Film Performances

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Film Production

Assistant Camera:
1986  Jean-Michel Jarre - Rendez-Vous Houston, A City In Concert

Camera Operator:
1986  Jean-Michel Jarre - Rendez-Vous Houston, A City In Concert
1986  Tom Petty and the Heartbreakers: Pack Up the Plantation - Live!
1990  Songs for Drella

Director of Photography:
1986  Jean-Michel Jarre - Rendez-Vous Houston, A City In Concert
1986  Tom Petty and the Heartbreakers: Pack Up the Plantation - Live!
1990  Songs for Drella
1993  Chantilly Lace
1995  The Last Supper
1999  25 do 4 em 99
1999  Advice From a Caterpillar
2000  Gone in Sixty Seconds
2001  Swordfish
2002  Beat the Devil
2004  Collateral
2004  Man on Fire
2006  Déjà Vu
2007  In the Land of Women
2010  Henry's Crime
2012  Man on a Ledge
2012  Total Recall
2013  Dead Man Down
2017  Pirates of the Caribbean: Dead Men Tell No Tales
2018  The Commuter
2019  21 Bridges
2021  Reminiscence

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TV Production

Additional Photography:
2016  Westworld

Director:
2016  Westworld
2021  Mayor of Kingstown
2023  Lioness

Director of Photography:
2016  Westworld
2021  Mayor of Kingstown
2023  Lioness

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.