Tomoyuki Shitaya

Gallery Unavailable

He started working at Studio Deen, where he made his debut as animator in an episode of Dai Guard. After leaving Deen he became freelance and works mainly on productions for J.C.Staff but also on some titles for Bones, Gonzo and Feel. He is particularly renowned as bishoujo animator, since he tends to pay attention to detailed character appearance and traits for girls, as well as providing his characters cute and bashful gestures.

Additional information:

The Search Form


Character Designer:
2012  Absolute Whiteness: Magical Girl

Animation Director:
2005  Jinki: Extend
2006  Welcome to the N.H.K.
2010  Bakuman

Character Designer:
2005  Jinki: Extend
2006  Welcome to the N.H.K.
2009  Hatsukoi Limited.
2010  Bakuman
2010  KissXSis
2019  Afterlost
2020  If My Favorite Pop Idol Made It to the Budokan, I Would Die
2021  Blue Period
2023  Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
2023  The Vexations of a Shut-In Vampire Princess
2024  2.5 Dimensional Seduction
????  Tune In to the Midnight Heart

Key Animation:
1999  Hunter x Hunter
2002  Ai Yori Aoshi
2002  Naruto
2004  Kurau Phantom Memory
2004  Paranoia Agent
2005  Jinki: Extend
2005  Speed Grapher
2006  Welcome to the N.H.K.
2009  Hatsukoi Limited.
2010  Bakuman
2010  KissXSis
2011  AnoHana: The Flower We Saw That Day
2019  Afterlost
2020  If My Favorite Pop Idol Made It to the Budokan, I Would Die
2021  Blue Period
2023  Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
2023  The Vexations of a Shut-In Vampire Princess
2024  2.5 Dimensional Seduction
????  Tune In to the Midnight Heart

Supervising Animation Director:
1999  Hunter x Hunter
2002  Ai Yori Aoshi
2002  Naruto
2004  Kurau Phantom Memory
2004  Paranoia Agent
2005  Jinki: Extend
2005  Speed Grapher
2006  Welcome to the N.H.K.
2008  Toradora!
2009  Hatsukoi Limited.
2010  Bakuman
2010  KissXSis
2011  AnoHana: The Flower We Saw That Day
2019  Afterlost
2020  If My Favorite Pop Idol Made It to the Budokan, I Would Die
2021  Blue Period
2023  Atelier Ryza: Ever Darkness & the Secret Hideout the Animation
2023  The Vexations of a Shut-In Vampire Princess
2024  2.5 Dimensional Seduction
????  Tune In to the Midnight Heart

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.