Donigan Cumming (b. 1947)

Birthplace:
Danville, Virginia, USA

Born:
July 5, 1947

Donigan Cumming is an artist based in Montréal, Canada. He addresses themes of the body, taboos of representation, social engagement,and photographic truth. He uses photography, text, sound, video, collage, animation, drawing,and painting in artworks, installations, projections, and books. Cumming locates his work in a created community formed over many projects and sustained over decades. These close relationships have allowed him to explore the social and ethical implications of the observational image characterized by an ongoing analysis of the reality effects of documentary film and photography, and the realities of the subjects they depict and describe. The results are marked by an interest in the threshold between the public “onstage” and the private “backstage”—the psycho-social performances of all the actors, including himself, as maker.

Additional information:

The Search Form


Director:
1994  Culture
1995  A Prayer for Nettie
1996  Cut the Parrot
1997  After Brenda
1998  Erratic Angel
1998  Karaoke
2003  Locke's Way
2010  Too Many Things

Director of Photography:
1994  Culture
1995  A Prayer for Nettie
1996  Cut the Parrot
1997  After Brenda
1998  Erratic Angel
1998  Karaoke
2003  Locke's Way
2010  Too Many Things

Editor:
1994  Culture
1995  A Prayer for Nettie
1996  Cut the Parrot
1997  After Brenda
1998  Erratic Angel
1998  Karaoke
2003  Locke's Way
2010  Too Many Things

Producer:
1994  Culture
1995  A Prayer for Nettie
1996  Cut the Parrot
1997  After Brenda
1998  Erratic Angel
1998  Karaoke
2003  Locke's Way
2010  Too Many Things

Sound:
1994  Culture
1995  A Prayer for Nettie
1996  Cut the Parrot
1997  After Brenda
1998  Erratic Angel
1998  Karaoke
2003  Locke's Way
2010  Too Many Things

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.