A work in constant progress (and occasional regress).
Amanda Kramer is a writer/director whose films have shown at festivals around the world. Her feature Ladyworld played at TIFF Next Wave, London BFI and Fantastic Fest, and plays in select theaters through Cleopatra Entertainment from August 2. She is a film radical and stands for the liberation of all artists.
Director:
2016 Bark
2017 Requests
2018 Intervene
2018 Paris Window
2019 Ladyworld
2019 Sin Ultra
2022 Please Baby Please
2023 Give Me Pity!
2023 So Unreal
2024 Magdalena Bay - That's My Floor
2025 By Design
???? Traum
Producer:
2013 Silk
2016 Bark
2017 Requests
2018 Intervene
2018 Paris Window
2019 Ladyworld
2019 Sin Ultra
2022 Please Baby Please
2023 Give Me Pity!
2023 So Unreal
2024 Magdalena Bay - That's My Floor
2025 By Design
???? Traum
Screenplay:
2013 Silk
2016 Bark
2017 Requests
2018 Intervene
2018 Paris Window
2019 Ladyworld
2019 Sin Ultra
2022 Please Baby Please
2023 Give Me Pity!
2023 So Unreal
2024 Magdalena Bay - That's My Floor
2025 By Design
???? Traum
Thanks:
2013 Silk
2016 Bark
2017 Requests
2018 Intervene
2018 Paris Window
2019 Ladyworld
2019 Sin Ultra
2022 Please Baby Please
2022 We're All Going to the World's Fair
2023 Give Me Pity!
2023 So Unreal
2024 Magdalena Bay - That's My Floor
2025 By Design
???? Traum
Writer:
2013 Silk
2016 Bark
2017 Requests
2018 Intervene
2018 Paris Window
2019 Ladyworld
2019 Sin Ultra
2022 Please Baby Please
2022 We're All Going to the World's Fair
2023 Give Me Pity!
2023 So Unreal
2024 Magdalena Bay - That's My Floor
2025 By Design
???? Traum
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.