A work in constant progress (and occasional regress).
Casting Associate:
2025 The Haunting of Prince Dom Pedro
Cinematography:
2020 Occurrence at Mills Creek
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Director:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Director of Photography:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Editor:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Location Assistant:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Producer:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Screenplay:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Script Editor:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Writer:
2014 What Was Lost
2018 A Wish for Giants
2020 Occurrence at Mills Creek
2023 Bigfoot Unleashed, Part VII
2024 I Swiped the Wrong One
2025 The Haunting of Prince Dom Pedro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.