A work in constant progress (and occasional regress).
Birthplace:
Epsom, Surrey, England, UK
Sarah Miles was born in Epsom, Surrey. Brought up in West Dorset, she studied drama at South Warwickshire College and English and American studies at the University of East Anglia. Miles' award-winning films blend fragmentary and evocative narratives of family and memory with references from cinema and literature. Miles' films have been screened extensively as single screen and installation works at cinemas and galleries and broadcast on Channel 4, Canal 4 and BBC2. Screenings at international film festivals include Oberhausen, Rotterdam, Melbourne and Chicago, and artist presentations include: Tate Britain; Arnolfini UK, Pacific Film Archive, Image Forum, Japan and Los Angeles Film Forum. She has lectured in Visual Theory at KIAD and freelance work includes pop promos and DVD extras. She lives and works in London and has a son. I have found that my work is a revealing of something I don't really want to say but have desperately needed to communicate. Perhaps it's the need to keep it hidden that makes it poetic so that what is meant is felt. SM Sarah is also a very interesting theorist and writer; her proposals pose complex philosophical questions, which, it seems to me, her films are attempts at resolving. - Gary Thomas
Director:
1990 I Love You
1997 Amaeru Fallout 1972
1999 A Bunny Girl's Tale
2005 No Place (Looking Back + Looking Forward)
???? Magnificent Ray
Writer:
1990 I Love You
1991 Coping with Cupid
1997 Amaeru Fallout 1972
1999 A Bunny Girl's Tale
2005 No Place (Looking Back + Looking Forward)
???? Magnificent Ray
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.