A work in constant progress (and occasional regress).
Marcus Stokes is an American television director and writer based in Los Angeles, California. He holds a Master’s degree in Architectural Design from the University of California. He first worked a computer graphics artist at George Lucas’ Industrial Light and Magic and began his directorial career working as a commercial director.
Director:
2015 The Signal
2023 State of Consciousness
Sequence Supervisor:
2005 Serenity
2015 The Signal
2023 State of Consciousness
Visual Effects:
2005 Serenity
2015 The Signal
2015 The Wedding Ringer
2023 State of Consciousness
Visual Effects Supervisor:
2005 Serenity
2010 Undocumented
2015 The Signal
2015 The Wedding Ringer
2023 State of Consciousness
Writer:
2005 Serenity
2010 Undocumented
2015 The Signal
2015 The Wedding Ringer
2023 State of Consciousness
Director:
2005 Criminal Minds
2010 The Walking Dead
2012 Arrow
2014 The Flash
2015 Blindspot
2015 Life in Pieces
2015 Supergirl
2018 9-1-1
2018 Magnum P.I.
2018 Station 19
2018 The Rookie
2020 9-1-1: Lone Star
2021 American Horror Stories
2022 Quantum Leap
2022 So Help Me Todd
2025 The Hunting Party
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.