A work in constant progress (and occasional regress).
Alias:
Nieves Yanco
Birthplace:
Antofagasta, Chile
Born:
October 20, 1916
Died:
October 22, 1985
Born in Antofagasta, Nieves Yankovic lived in Europe from 1928 to 1942. She was one of the founders of the University of Chile Experimental Theatre. A film actress under the name Nieves Yanko, she made her debut in Luis Moglia Barth's Romance de medio sieglo (Romance of half a century, 1944). She also acted in Carlos Borcosque's Amarga verdad (1945), Roberto de Ribón's El Padre Pitillo (1946), Carlos Hugo Christensen's La dama de la muerte (1946), Fred Matter's El paso maldito (1949), Pierre Chenal's El ídolo (1952) and Pierre Chenal's Confesiones al amanecer (1954). Yankovic worked as assistant director under Carlos Hugo Christensen and Pierre Chenal. In 1946 she married Jorge di Lauro, a sound engineer at Chile Films. From 1958 until 1972 the pair directed documentaries together. After the 1973 Chilean coup d'état, Yankovic and her husband worked as teachers.
Assistant Director:
1952 The Idol
Director:
1952 The Idol
1958 Andacollo
1962 Verano en Invierno
1964 San Pedro de Atacama
1965 Easter Island
Editor:
1952 The Idol
1958 Andacollo
1960 Los artistas plásticos de Chile
1962 Verano en Invierno
1964 San Pedro de Atacama
1965 Easter Island
Producer:
1952 The Idol
1958 Andacollo
1960 Los artistas plásticos de Chile
1962 Verano en Invierno
1964 San Pedro de Atacama
1965 Easter Island
Screenplay:
1952 The Idol
1958 Andacollo
1960 Los artistas plásticos de Chile
1962 Verano en Invierno
1964 San Pedro de Atacama
1965 Easter Island
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.