A work in constant progress (and occasional regress).
Animation:
2001 Meier 19
Camera Operator:
2001 Meier 19
2008 Max Bill: The Master's Vision
2021 Adolf Muschg – The Other
Cinematography:
2001 Meier 19
2004 Dimitri - Clown
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2021 Adolf Muschg – The Other
Color Grading:
2001 Meier 19
2004 Dimitri - Clown
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2014 Millions Can Walk
2021 Adolf Muschg – The Other
Compositing Supervisor:
2001 Meier 19
2004 Dimitri - Clown
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2012 Eigentlich wollten wir zurückkehren
2014 Millions Can Walk
2016 Staatenlos - Klaus Rózsa, Fotograf
2021 Adolf Muschg – The Other
Compositor:
2001 Meier 19
2004 Dimitri - Clown
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2012 Eigentlich wollten wir zurückkehren
2014 Millions Can Walk
2016 Staatenlos - Klaus Rózsa, Fotograf
2021 Adolf Muschg – The Other
2024 Being a Child. Exploration Among Tree Friends
Director of Photography:
2001 Meier 19
2004 Dimitri - Clown
2007 Citizen Fred
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2012 Eigentlich wollten wir zurückkehren
2014 Millions Can Walk
2016 Staatenlos - Klaus Rózsa, Fotograf
2017 Im Bann des Föhns
2021 Adolf Muschg – The Other
2024 Being a Child. Exploration Among Tree Friends
Special Effects:
2001 Meier 19
2004 Dimitri - Clown
2007 Citizen Fred
2008 Max Bill: The Master's Vision
2009 Amourette
2010 Geysir und Goliath
2012 Eigentlich wollten wir zurückkehren
2014 Millions Can Walk
2016 Staatenlos - Klaus Rózsa, Fotograf
2017 Im Bann des Föhns
2021 Adolf Muschg – The Other
2023 Röbi geht
2024 Being a Child. Exploration Among Tree Friends
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.