A work in constant progress (and occasional regress).
Monica Cheema (she/her) is a filmmaker raised on the lands of the Katzie, Semiahmoo and Kwantlen Nations. She works at the intersection of cultural research, harm reduction, community organizing, and arts education. Her most recent short film is an experimental portrait of Paldi, a historic mill settlement often described as a ghost town on the East Coast of Vancouver Island, now home to a rich community archive housing stories about labor, loss, discrimination, cultural memory, and resilience. Monica is most excited by new media works that transgress traditional film genre conventions, threading fiction and non-fiction to create something new and surreal in the process. She is incredibly grateful to be currently participating in & supported by DOXA's Kris Anderson Connexions mentorship, VIFF's Catalyst program, and Gallery Gachet's BIPOC New Media Screen cohort.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.