A work in constant progress (and occasional regress).
Born:
April 20, 1949
Died:
June 25, 2009
JoAnn Elam (April 20, 1949 – June 25, 2009) was a Chicago-based filmmaker. Her films explored the themes of feminism and she was best known for her film Rape (1978). Elam also worked on other political and social documentaries such as her unfinished film Everyday People (1979–1990). Not only did Elam's work focus on these themes but she also focused on everyday life in her films. While living in San Francisco,California, and Yellow Springs, Ohio, where she attended Antioch College, Elam had completed these everyday life documentary films. These films and her other films were produced on 16mm and 8mm films, but mainly 8mm. Her films Rape and Everyday People have been subjects of great interest. Rape has been seen and applauded by many including authors of feminist film criticism journals and reviewers of the film. It has given women the power to speak up about experiences with rape and allowed them to be angry instead of keeping it all in. Everyday People has been on the art and film worlds’ interests because of its uncompleted state and the insight into the postal service, which she used to work for. Description above from the Wikipedia article JoAnn Elam, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1967 37th Avenue & S.F. CA
1969 3 Goats and a Gruff
1970 CF Porn
1971 Woman's Place & Dance
1972 Tai Chi Bowling
1973 Beauty and the Beast
1973 Celebrated Royal Fireworks
1973 Chocolate Cake
1973 Country Mile
1973 Firelight
1973 Grains
1973 Landscape
1974 Corduroy
1974 Daytime Television
1974 I Can Almost See It
1974 Jack-O-Lanterns
1974 Love Me, Love My Dog
1974 The Christmas Story
1974 Windows
1975 Filmabuse
1975 Filmabuse (Original)
1975 Groundwork
1975 Rape
1975 Tai Chi II
1976 Bowl
1976 Front Porch
1976 Michigan
1976 Sprockets
1976 Windchimes, Window, Tree
1978 Other People's Children
1978 Sanibel
1979 Ala - Dad
1979 Blizzard of '79
1979 JoAnn & Susan x2
1980 Atlanta Nat Convention
1980 Going Places
1981 Boyers & Rhinos
1981 Moving
1982 DC '82 Home
1982 Lie Back & Enjoy It
1984 Cold Day with Chuck
1984 Garbage
1984 Monterey '84
1984 Windows
1985 Collards Garden, 1985
1990 Everyday People
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???? Backyard Winter
???? Christmas Tree
???? Closet Film
???? Covered Bridge
???? Derek 10-70
???? Disabuse
???? Fire
???? Joe & Greens
???? Last Whole Earth Catalog
???? Light Leak
???? Moody Movie
???? Popcorn
???? Pup Birth
???? Soap + Fire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.