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Dalibor Grubačević (b. 1975)

Alias:
Dalibor Grubacevic

Born:
January 9, 1975

Biography from TheMovieDB

Dalibor Grubacevic is an award-winning Croatian composer of film & classical music. He has received several major professional awards in his country (the 2013 Porin in the Best Theatrical, Film, and/or TV Soundtrack category, for his music for the documentary series In Search of Marco Polo, and the Best Film Music award at the 19th Days of Croatian Cinema festival, for his music for the Nenad Puhovski documentary (Together). He is also a multifaceted artist of eclectic musical interests, whose work is best described by the contradictory label of an "unclassical classicist." In his composition, he uses classical orchestration combined with electronic sounds and instrumentation. He is a full member of the Croatian Composers' Society (HDS).

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Additional information:

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Film Production

Music:
2005  The Lost Treasure
2006  The Ghost in the Swamp
2009  Together
2010  Hebrang
2010  The Silenced Voice
2013  In Search of Marco Polo
2013  Penkala
2014  Dear Lastan!
2014  The Bridge at the End of the World
2016  Because of You
2016  It Was All Just a Good Dream
2017  Fuck Off I Love You
2018  More Than Words
2020  The Match
2021  Rivers of Croatia
2021  The Cars We Drove into Capitalism
2022  The Conversation
2023  Hotel Pula
2024  Cat's Cry
2024  Veljko of the Sea
????  Vindicta

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.