A work in constant progress (and occasional regress).
Stéphane Fontaine is a French cinematographer. He graduated from the École nationale supérieure Louis-Lumière in 1985, and began his career as first assistant camera on films directed by Arnaud Desplechin, Jim Jarmusch, Leos Carax and Olivier Assayas, among others. He won the César Award for Best Cinematography in 2006 for The Beat That My Heart Skipped and in 2010 for A Prophet. Source: Article "Stéphane Fontaine" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Camera Operator:
2010 The Next Three Days
Director of Photography:
1996 My Sex Life... or How I Got Into an Argument
1999 Un atelier de Patrice Chéreau à la Manufacture des Œillets
2002 A New Life
2003 Playing 'In the Company of Men'
2004 Look at Me
2005 The Beat That My Heart Skipped
2006 Call Me Elisabeth
2006 Charlie Says
2007 Talk to Me
2008 What Just Happened
2009 A Prophet
2009 Spy(ies)
2010 The Next Three Days
2010 The Other Dumas
2011 Goodbye First Love
2012 Rust and Bone
2013 Jimmy P.
2014 Samba
2016 Captain Fantastic
2016 Elle
2016 Jackie
2019 My Zoe
2019 The Kill Team
2020 Ammonite
2022 Revoir Paris
2024 Conclave
First Assistant Camera:
1993 Travolta and Me
1994 Nobody Loves Me
1996 My Sex Life... or How I Got Into an Argument
1999 Un atelier de Patrice Chéreau à la Manufacture des Œillets
2002 A New Life
2003 Playing 'In the Company of Men'
2004 Look at Me
2005 The Beat That My Heart Skipped
2006 Call Me Elisabeth
2006 Charlie Says
2007 Talk to Me
2008 What Just Happened
2009 A Prophet
2009 Spy(ies)
2010 The Next Three Days
2010 The Other Dumas
2011 Goodbye First Love
2012 Rust and Bone
2013 Jimmy P.
2014 Samba
2016 Captain Fantastic
2016 Elle
2016 Jackie
2019 My Zoe
2019 The Kill Team
2020 Ammonite
2022 Revoir Paris
2024 Conclave
Director of Photography:
2021 Exterminate All the Brutes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.