A work in constant progress (and occasional regress).
Alias:
Aya Tsubota
つぼた ふみ
坪田 文
쓰보타 후미
Birthplace:
Okayama, Japan
Born:
July 7, 1983
Fumi Tsubota (坪田 文, Tsubota Fumi, July 7, 1983) is a Japanese screenwriter born in Okayama Prefecture. She provides screenplays for a wide range of genres, including dramas, anime, movies, and theatrical performances. She graduated from Nihon University College of Art, Department of Drama, Playwright Course. She completed the master's program at the Department of Performing Arts, Graduate School of Arts, Nihon University, and has a master's degree in arts. While she was in school, she received guidance from Isawo Takahashi (高橋 いさを) and Ren Saitō (斎藤 憐). In July 2002, she presided over Kūkan Zerī (空間ゼリー), a women-only theater company with the concept of “sympathizing with women and marveling at men,” and she wrote all of the theater company's works.
Screenplay:
2018 When I Get Home, My Wife Always Pretends to be Dead
2021 Will I Be Single Forever?
2023 Gold Kingdom and Water Kingdom
2023 My Beautiful Man ~special edit version~
2023 My Beautiful Man: Eternal
2023 The Ex-idol, Stuck in Life, Decided to Live with a Complete Stranger
Writer:
2018 When I Get Home, My Wife Always Pretends to be Dead
2019 The Island of Cats
2021 Struggling Man
2021 Will I Be Single Forever?
2023 Gold Kingdom and Water Kingdom
2023 My Beautiful Man ~special edit version~
2023 My Beautiful Man: Eternal
2023 The Ex-idol, Stuck in Life, Decided to Live with a Complete Stranger
Creator:
2015 HEAT
2019 Ex-Enthusiasts: MotoKare Mania
Screenplay:
2015 HEAT
2016 12-sai.: Chicchana Mune no Tokimeki
2016 Are You Ok?
2019 Ex-Enthusiasts: MotoKare Mania
2020 Pops Loves Kawaii Stuff
2021 Bushisutanto Aisaka-kun!
2021 Colorful Love ~My Androgynous Boyfriend~
2021 RISKY
2022 Fishbowl Wives
2022 Sawako: It's Endless Revenge
Series Composition:
2015 HEAT
2016 12-sai.: Chicchana Mune no Tokimeki
2016 Are You Ok?
2018 HUGtto! PreCure
2019 Ex-Enthusiasts: MotoKare Mania
2020 Pops Loves Kawaii Stuff
2021 Bushisutanto Aisaka-kun!
2021 Colorful Love ~My Androgynous Boyfriend~
2021 RISKY
2021 Waccha Primagi!
2022 Fishbowl Wives
2022 Sawako: It's Endless Revenge
Teleplay:
2015 HEAT
2016 12-sai.: Chicchana Mune no Tokimeki
2016 Are You Ok?
2018 HUGtto! PreCure
2019 Ex-Enthusiasts: MotoKare Mania
2020 Pops Loves Kawaii Stuff
2021 Bushisutanto Aisaka-kun!
2021 Colorful Love ~My Androgynous Boyfriend~
2021 My Beautiful Man
2021 RISKY
2021 Waccha Primagi!
2022 Fishbowl Wives
2022 Sawako: It's Endless Revenge
Writer:
2015 HEAT
2016 12-sai.: Chicchana Mune no Tokimeki
2016 Are You Ok?
2018 HUGtto! PreCure
2018 Teasing Master Takagi-san
2019 Ex-Enthusiasts: MotoKare Mania
2020 Pops Loves Kawaii Stuff
2020 Rent-a-Girlfriend
2021 Bushisutanto Aisaka-kun!
2021 Colorful Love ~My Androgynous Boyfriend~
2021 My Beautiful Man
2021 RISKY
2021 Waccha Primagi!
2022 Fishbowl Wives
2022 Sawako: It's Endless Revenge
2023 Dear Detective from RAMPO with Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.