A work in constant progress (and occasional regress).
Director:
2005 Bob Denard, Profession Mercenaire
2014 Pepsi vs Cola: The Marketing Battle of the Century
2016 Formule 1, la technologie de l'extrême
2017 ISS : mégastructure de l'espace
2018 Flying Supersonic
2019 The Daunting Fortress of Richard the Lionheart
2020 Die Superburg des Richard Löwenherz
2020 Titanic: Into the Heart of the Wreck
2022 Romains contre Gaulois La bataille décisive
Idea:
2005 Bob Denard, Profession Mercenaire
2014 Pepsi vs Cola: The Marketing Battle of the Century
2015 Coca vs Pepsi : le combat du siècle
2016 Formule 1, la technologie de l'extrême
2017 ISS : mégastructure de l'espace
2018 Flying Supersonic
2019 The Daunting Fortress of Richard the Lionheart
2020 Die Superburg des Richard Löwenherz
2020 Titanic: Into the Heart of the Wreck
2022 Romains contre Gaulois La bataille décisive
Screenplay:
2005 Bob Denard, Profession Mercenaire
2014 Pepsi vs Cola: The Marketing Battle of the Century
2015 Coca vs Pepsi : le combat du siècle
2016 Formule 1, la technologie de l'extrême
2017 ISS : mégastructure de l'espace
2018 Flying Supersonic
2019 The Daunting Fortress of Richard the Lionheart
2020 Die Superburg des Richard Löwenherz
2020 Titanic: Into the Heart of the Wreck
2022 Romains contre Gaulois La bataille décisive
Writer:
2005 Bob Denard, Profession Mercenaire
2014 Pepsi vs Cola: The Marketing Battle of the Century
2015 Coca vs Pepsi : le combat du siècle
2016 Formule 1, la technologie de l'extrême
2017 ISS : mégastructure de l'espace
2018 Flying Supersonic
2019 The Daunting Fortress of Richard the Lionheart
2020 Die Superburg des Richard Löwenherz
2020 Titanic: Into the Heart of the Wreck
2022 Romains contre Gaulois La bataille décisive
Director:
2014 Duels
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.