A work in constant progress (and occasional regress).
Alias:
Dora Matthews
Birthplace:
Columbus, Kansas, USA
Born:
March 29, 1892
Died:
November 1, 1975
Plain, angular Doro Merande was one of those delightful character actresses you couldn't take your eyes off of, no matter how minuscule the part. She excelled at playing older than she was -- doting aunts, inveterate gossips, curt secretaries and small-minded townspeople -- all topped with an amusing warble in her voice and bristly eccentric edge. Too bad then that she wasn't used more in films, but she preferred live theater and based herself for the most part on the East Coast. She was born Dora Matthews in Kansas in 1892 and orphaned as a child. Growing up in boarding schools, she headed to New York and pursued an acting career immediately after finishing her education. She appeared long and hard on the stock stage before making it on Broadway at age 43. She settled there sparking over 25 Broadway plays in her lifetime, including a scene-stealing turn in the classic Thorton Wilder play "Our Town" which brought her to Hollywood to preserve the role on film. On and off she remained a delightful film and TV cameo player with roles in The Gazebo (1959), The Russians Are Coming, The Russians Are Coming (1966), and The Front Page (1974). She and star Enid Markey (Jane of the "Tarzan" film silents) starred together as pampering aunts in the sitcom Bringing Up Buddy (1960), but, despite promising ratings, the two veteran actresses did not get along and the series folded after only a season. Ms. Merande was also a recurring presence for Jackie Gleason on his variety show. She died, in fact, of a stroke while there in Miami to film an episode. Date of Birth 31 March 1892, Columbia, Kansas Date of Death 1 November 1975, New York City, New York (stroke)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.