A work in constant progress (and occasional regress).
Birthplace:
Roubaix, Nord, France
Born:
February 28, 1930
Died:
August 13, 2015
Pierre Georges Cornil Jansen (28 February 1930 – 13 August 2015 at Saint-Pierre-Saint-Jean) was a French film scores composer. He was in particular the permanent collaborator of Claude Chabrol for whom he composed the music for many films. Born in Roubaix, Jansen did his first musical studies at the Conservatoire de Roubaix (piano and harmony) under the direction of Alfred Desenclos. He furthered his studies at the Royal Conservatory of Brussels (piano and harmony prizes) and writing studies with André Souris (harmony, counterpoint, fugue and orchestration). From 1952 onwards, he regularly attended classes with Olivier Messiaen and participated in the Ferienkurse für die neue Musik in Darmstadt. In 1958, a suite for piano and 18 instruments was premiered in Darmstadt, and later performed in Paris during a concert of the Domaine musical. In 1960, he renounced the achievements of the avant-garde and devoted himself to film music. He collaborated with Claude Chabrol of whom he became the official composer. About Pierre Jansen, the director of the French New Wave said: "I met a brother in music." while the latter described his meeting with Chabrol as "decisive and unexpected.". He then worked with Claude Goretta, Francis Girod and Pierre Schoendoerffer. He also collaborated for television by composing music for Serge Moati and Josée Dayan. In 1985, he composed for silent cinema, in collaboration with Antoine Duhamel, an extensive score for large orchestra to accompany the images of David Wark Griffith's famous Intolerance. This work was premiered by the Orchestre national d'Île-de-France (Jacques Mercier conducting) and screened live at the Théâtre des Amandiers, then at the Festival d'Avignon. A version of this film, newly restored, was made in 2007. It required a new adaptation of the score. Rerecorded under the direction of Jean Deroyer, it was broadcast on Arte. This version is available on DVD. Gradually abandoning film music because he did not want to fall into commercial ease, he then devoted himself to his own work by composing concerts pieces. He taught orchestration at the École normale de musique de Paris, as well as at the Conservatoire de Paris (CNSMDP). Source: Article "Pierre Jansen" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
1964 Code Name: Tiger
1965 So Young a Peace
1965 The Blue Panther
1966 Line of Demarcation
1971 Ten Days' Wonder
1971 The Savior
1972 Acera, or the Witches' Dance
1974 An Invitation to the Hunt
1976 Golden Night
1988 La croisade des enfants
Musical:
1964 Code Name: Tiger
1965 So Young a Peace
1965 The Blue Panther
1966 Line of Demarcation
1971 Ten Days' Wonder
1971 The Savior
1972 Acera, or the Witches' Dance
1974 An Invitation to the Hunt
1976 Golden Night
1976 La Limousine
1988 La croisade des enfants
Original Music Composer:
1960 The Good Girls
1961 Wise Guys
1962 The Seven Deadly Sins
1962 The Third Lover
1963 Bluebeard
1963 Ophélia
1964 Code Name: Tiger
1964 The World's Most Beautiful Swindlers
1965 So Young a Peace
1965 The 317th Platoon
1965 The Blue Panther
1966 Line of Demarcation
1966 Objective: 500 Million
1967 The Champagne Murders
1967 The Road to Corinth
1968 Les Biches
1969 The Hand
1969 The Unfaithful Wife
1969 This Man Must Die
1970 The Breach
1970 The Butcher
1971 Just Before Nightfall
1971 Ten Days' Wonder
1971 The Savior
1972 Acera, or the Witches' Dance
1972 Scoundrel in White
1973 Wedding in Blood
1974 An Invitation to the Hunt
1974 Monsieur Bébé
1974 The Nada Gang
1975 Innocents with Dirty Hands
1976 Golden Night
1976 La Limousine
1977 Alice or the Last Escapade
1977 The Lacemaker
1978 Blood Relatives
1978 The Savage State
1978 Violette Nozière
1980 The Horse of Pride
1982 The Big Brother
1988 La croisade des enfants
1989 La Folle Journée (Le Mariage de Figaro)
1993 Boulevard des hirondelles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.