A work in constant progress (and occasional regress).
Brazilian filmmaker and producer, she studied cinema at the University of Southern Santa Catarina. Her debut short, “Ocorredor”, was made when she was still a student and won 10 awards at national festivals. With “Isto não é um Filme”, she was among the finalists of the AXN Film Festival, showing her short film throughout Latin America. With her last short “Selma after the Rain”, she toured 17 countries and won 9 awards, including Best Brazilian Short Film – BIMIFF – Brazil International Monthly Independent Film Festival (USA 2020) / Best Drama Short – Annual CPH Film Festival (Copenhagen 2020) Special Mention in the Women’s Fights and Rights Competition – Porto Femme (2020); Best Direction, Best Actress, Best Editing – Short Taquary (2020); Best Direction – Mix Brasil (2019); Honorable Mention for best narrative short (ISA Hollywood – IMDB); Special Mention (London-X4 Short Film Festival SPRING 2019); Indicated to represent Brazil in the Iris Prize LGBT + Film Festival 2020. She coordinated, produced and co-directed for 3 years series docs for the Rede Globo affiliate in Santa Catarina (NSC-TV). Her work focuses on direction, production, art direction and costumes for fictions and documentaries, for Cinema and TV, having produced more than 40 works between short films, medium docs, features, series, video clips and visual arts projects. She is a founding partner of Vinil Filmes, one of the most active production company in South Brazil. She is currently finishing her first feature documentary “Uncle Tommy”; developing her first feature film “Sangue de Groselha”(project awarded by Mercado Entrefronteras and Madrugada Sangrenta – Roger Corman special); and the Horror Island series – First Season: The Cartilage (script published in Graphic Novel by Darkside – expected to launch in the first half of 2021).
Art Direction:
2009 Beijos de Arame Farpado
2016 Moon in Sagittarius
2022 The Southern Swamp Monster
Associate Producer:
2009 Beijos de Arame Farpado
2016 Moon in Sagittarius
2019 Aquela Mistura
2022 The Southern Swamp Monster
Director:
2006 Isto Não é um Filme
2009 Beijos de Arame Farpado
2015 Túlio Piva - Pandeiro de Prata
2016 Moon in Sagittarius
2019 Aquela Mistura
2019 Selma After the Rain
2022 The Southern Swamp Monster
2022 Uncle Tommy – The Man who Founded Newsweek
2023 Bravehearts
Executive Producer:
2006 Isto Não é um Filme
2009 Beijos de Arame Farpado
2015 Túlio Piva - Pandeiro de Prata
2016 Moon in Sagittarius
2019 Aquela Mistura
2019 Selma After the Rain
2021 Dás um Banho, Zé Perri
2022 The Southern Swamp Monster
2022 Uncle Tommy – The Man who Founded Newsweek
2023 Bravehearts
Producer:
2006 Isto Não é um Filme
2009 Beijos de Arame Farpado
2015 Túlio Piva - Pandeiro de Prata
2016 Moon in Sagittarius
2019 Aquela Mistura
2019 Selma After the Rain
2021 Dás um Banho, Zé Perri
2021 My Uncle's Friend
2022 The Southern Swamp Monster
2022 Uncle Tommy – The Man who Founded Newsweek
2023 Bravehearts
2023 The Light Park's Cemitery
Production Executive:
2006 Isto Não é um Filme
2009 Beijos de Arame Farpado
2015 Túlio Piva - Pandeiro de Prata
2016 Moon in Sagittarius
2019 Aquela Mistura
2019 Selma After the Rain
2021 Dás um Banho, Zé Perri
2021 My Uncle's Friend
2022 The Southern Swamp Monster
2022 Uncle Tommy – The Man who Founded Newsweek
2023 Bravehearts
2023 The Light Park's Cemitery
Screenplay:
2006 Isto Não é um Filme
2009 Beijos de Arame Farpado
2015 Túlio Piva - Pandeiro de Prata
2016 Moon in Sagittarius
2019 Aquela Mistura
2019 Selma After the Rain
2021 Dás um Banho, Zé Perri
2021 My Uncle's Friend
2022 The Southern Swamp Monster
2022 Uncle Tommy – The Man who Founded Newsweek
2023 Bravehearts
2023 The Light Park's Cemitery
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.