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Nathalia Nunes (b. 1994)

Born:
July 19, 1994

Additional information:

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Film Performances

Click the heading above to show or hide the list.

Film Production

Cinematography:
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Feliz Cano Novo

Director of Photography:
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Alone
2021  Feliz Cano Novo

Executive Producer:
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Alone
2021  Feliz Cano Novo
2021  The Video Call

Producer:
2019  A Qualquer Custo
2019  Enemies
2019  Girassol
2019  O Que as Mulheres Querem?
2019  On The Edge
2019  Proibido Para Meninos
2019  Sala 12
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Alone
2021  Feliz Cano Novo
2021  The Video Call
2023  Caixa Preta
2023  Confinados
2023  Em Uma Noite Qualquer
2023  O Assalto
2023  O Tesouro Perdido
2023  Seres de Argila.
2024  A Noiva

Production Coordinator:
2019  A Qualquer Custo
2019  Enemies
2019  Girassol
2019  O Que as Mulheres Querem?
2019  On The Edge
2019  Proibido Para Meninos
2019  Sala 12
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Alone
2021  Feliz Cano Novo
2021  The Video Call
2022  As Mil Palavras de Giacomo Geremia
2023  Caixa Preta
2023  Confinados
2023  Em Uma Noite Qualquer
2023  O Assalto
2023  O Tesouro Perdido
2023  Seres de Argila.
2024  A Noiva

Writer:
2019  A Qualquer Custo
2019  Enemies
2019  Girassol
2019  Hot Filadelfia
2019  O Que as Mulheres Querem?
2019  On The Edge
2019  Proibido Para Meninos
2019  Sala 12
2020  Férias do Barulho
2020  Mulheres Bem Resolvidas
2021  Alone
2021  Feliz Cano Novo
2021  The Video Call
2022  As Mil Palavras de Giacomo Geremia
2023  Caixa Preta
2023  Confinados
2023  Em Uma Noite Qualquer
2023  O Assalto
2023  O Tesouro Perdido
2023  Seres de Argila.
2024  A Noiva

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.