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Johanna Thea

Birthplace:
Westminister - London - England - UK

Biography from TheMovieDB

Johanna Thea's acting is characterised by her authenticity and playfulness. Born in Westminster and raised on the West Coast of Ireland, and while "culturally Irish", is of Jamaican, Indian, Swiss and English descent. The daughter of a professional international dancer/singer and a teacher/charity worker, she is the first actor in her family.  Predominantly working in film, Johanna received an Honourable mention as Best Actress in the Independent Short Awards (LA, 2022), for her role in thriller "Disquiet". As Eva in British Indie thriller "Resolve" she was shortlisted for "best actress in a web-series" by Screennation (2018).  Previously, mental health awareness film "Struggle" won multiple awards, and her Irish debut "When Next Possible Taka a U-Turn" was shortlisted at both Catalyst & Linear international film festivals, winning Best LGBT+ Film of the year in 2019. "The Wind Cries" in which she plays Laurie Lovely, was shortlisted in Oscar qualifying festival Dances with Film (L.A.), which she attended.  An Honours BSc and MSc, Psychology and Neuroscience graduate (IOPPN), Johanna enjoys writing articles, scripts, and being a speaker on resilience and neurodiversity. "If Only You Knew", her autobiography in short stories, is available through Amazon, and her commissioned well-being articles are search-able online.  As a model (scouted at 16) she has worked for Range Rover, Meaty Bites (USA), the bark based Eco-friendly brand "José Hendo", Isabelle Deringo (during LA fashion week), appeared in campaigns for DIAGEO, TFI, Aviva Healthcare, etc., and as cover girl for DIVA magazine.

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Additional information:

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Film Performances

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Film Production

Additional Photography:
2021  Venom: Let There Be Carnage

Production Runner:
2021  Venom: Let There Be Carnage

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TV Performances

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TV Production

Stunts:
2019  The Trial of Christine Keeler

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.