A work in constant progress (and occasional regress).
Production Sound Mixer:
2022 Alam
2024 Red Path
???? Marie & Jolie
Sound:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Un Conte Contemporain
2017 Beauty and the Dogs
2022 Alam
2023 Ashkal: The Tunisian Investigation
2023 Streams
2024 Red Path
2025 Where the Wind Comes From
???? Marie & Jolie
Sound Editor:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Un Conte Contemporain
2017 Beauty and the Dogs
2017 Burning Hope
2018 Look at Me
2022 Alam
2023 Ashkal: The Tunisian Investigation
2023 Streams
2024 Red Path
2025 Where the Wind Comes From
???? Marie & Jolie
???? Obvious Offside
Sound Engineer:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Un Conte Contemporain
2017 Beauty and the Dogs
2017 Burning Hope
2018 Look at Me
2022 Alam
2022 Under the Fig Trees
2023 Ashkal: The Tunisian Investigation
2023 Streams
2024 Red Path
2025 Where the Wind Comes From
???? Marie & Jolie
???? Obvious Offside
Sound Mixer:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Un Conte Contemporain
2017 Beauty and the Dogs
2017 Burning Hope
2018 Look at Me
2022 Alam
2022 Under the Fig Trees
2023 Ashkal: The Tunisian Investigation
2023 Night Courier
2023 Streams
2024 Red Path
2025 Where the Wind Comes From
???? Marie & Jolie
???? Obvious Offside
Sound Recordist:
2014 Tahar Chériaa: A l'Ombre du Baobab
2015 Un Conte Contemporain
2017 Beauty and the Dogs
2017 Burning Hope
2018 Look at Me
2022 Alam
2022 Under the Fig Trees
2023 Ashkal: The Tunisian Investigation
2023 Night Courier
2023 Streams
2024 Red Path
2024 Who Do I Belong To
2025 Where the Wind Comes From
???? Marie & Jolie
???? Obvious Offside
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.