A work in constant progress (and occasional regress).
Cinematography:
2013 Am Lietzensee
Director:
1975 We All Die, the Main Thing However is How and How We Live Our Lives
1983 The Protection Foil
1985 Cesare Pavese. Turin – Santo Stefano Belbo
1991 Fahrt nach Kairo
1991 Mit Pyramiden
1995 When You See a Rose
1996 Broadway Mai 95
2005 Filmtagebuch 1975-85
2011 Ein Jahr
2012 Venice December 2011
2013 Am Lietzensee
2014 Japan März 2013
2015 Sarah Schumann malt ein Bild
2018 Cape Cod
Director of Photography:
1975 We All Die, the Main Thing However is How and How We Live Our Lives
1983 The Protection Foil
1985 Cesare Pavese. Turin – Santo Stefano Belbo
1991 Fahrt nach Kairo
1991 Mit Pyramiden
1995 When You See a Rose
1996 Broadway Mai 95
2005 Filmtagebuch 1975-85
2011 Ein Jahr
2012 Venice December 2011
2013 Am Lietzensee
2014 Japan März 2013
2015 Sarah Schumann malt ein Bild
2018 Cape Cod
Writer:
1975 We All Die, the Main Thing However is How and How We Live Our Lives
1983 The Protection Foil
1985 Cesare Pavese. Turin – Santo Stefano Belbo
1991 Fahrt nach Kairo
1991 Mit Pyramiden
1995 When You See a Rose
1996 Broadway Mai 95
2005 Filmtagebuch 1975-85
2011 Ein Jahr
2012 Venice December 2011
2013 Am Lietzensee
2014 Japan März 2013
2015 Sarah Schumann malt ein Bild
2018 Cape Cod
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.