A work in constant progress (and occasional regress).
Alias:
Tats Yamashita
Tatsu Yamashita
山下達郎
Birthplace:
Ikebukuro, Toshima, Tokyo, Japan
Born:
February 4, 1953
Tatsuro Yamashita (1953-), occasionally credited as Tatsu Yamashita or Tats Yamashita, is a Japanese singer-songwriter and record producer who helped pioneer the style of Japanese adult-oriented rock/soft rock dubbed "city pop". Yamashita produced the majority of his city pop music during the 1970s–1980s, and is sometimes considered the "king" of the genre. He has also collaborated with his wife Mariya Takeuchi, another city pop singer.
Compositor:
1984 Big Wave
1999 The Exam
Director:
1984 Big Wave
1991 Christmas in New York
1999 The Exam
Music:
1984 Big Wave
1991 Christmas in New York
1991 Ibu wa hatsukoi no yō ni
1999 The Exam
2017 The Miracles of the Namiya General Store
Music Arranger:
1984 Big Wave
1991 Christmas in New York
1991 Ibu wa hatsukoi no yō ni
1999 The Exam
2017 The Miracles of the Namiya General Store
Music Producer:
1984 Big Wave
1991 Christmas in New York
1991 Ibu wa hatsukoi no yō ni
1999 The Exam
2017 The Miracles of the Namiya General Store
Theme Song Performance:
1984 Big Wave
1991 Christmas in New York
1991 Ibu wa hatsukoi no yō ni
1999 The Exam
2000 Juvenile
2009 Summer Wars
2017 The Miracles of the Namiya General Store
2018 Mirai
Music:
1980 Keishi-K
Music Arranger:
1980 Keishi-K
2023 Pokémon Concierge
Theme Song Performance:
1980 Keishi-K
2003 Good Luck!!
2008 Flower Shop Without a Rose
2011 Winter Sakura
2019 Grand Maison Tokyo
2023 Keishichou Outsider
2023 Pokémon Concierge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.