A work in constant progress (and occasional regress).
Jenny Cartwright has been involved with documentary film production for over twenty years and has collaborated on projects shot around the globe. Interested in the dynamics of power that shape our world, she creates works that tackle complex issues such as gentrification, class divide, work and feminist action. Her first creative audio documentary Debouttes! (2019) was selected at Longueur d’ondes, one of the most important radio and podcast festivals in Europe. She followed with Quels morceaux de nous la tempête a-t-elle emportés avec elle? a creative audio documentary that shed light on the mishandling of the COVID-19 pandemic by Quebec’s government in residential and long-term care centers. It received the first international NUMIX award for best immersive sound experience. Her first feature-length documentary I Remember When No One Jogged in This Neighbourhood premiered at The Montreal International Documentary Festival (RIDM) and was screened at VOX - Centre de l’image contemporaine as part of the exhibition The Radical Imaginary II: Reclaiming Value.
Director:
2015 LIKE IT
2016 Golden Tuna - Montreal Sessions
2018 கோயில் (The Temple)
2021 I Remember a Time When No One Jogged in This Neighbourhood
2025 A Losing Game
Editor:
2015 LIKE IT
2016 Golden Tuna - Montreal Sessions
2018 கோயில் (The Temple)
2021 I Remember a Time When No One Jogged in This Neighbourhood
2025 A Losing Game
Producer:
2015 LIKE IT
2016 Golden Tuna - Montreal Sessions
2018 கோயில் (The Temple)
2021 I Remember a Time When No One Jogged in This Neighbourhood
2025 A Losing Game
Researcher:
2015 LIKE IT
2016 Golden Tuna - Montreal Sessions
2018 கோயில் (The Temple)
2021 I Remember a Time When No One Jogged in This Neighbourhood
2025 A Losing Game
Writer:
2015 LIKE IT
2016 Golden Tuna - Montreal Sessions
2018 கோயில் (The Temple)
2021 I Remember a Time When No One Jogged in This Neighbourhood
2025 A Losing Game
Line Producer:
2016 Shotgun Ménard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.