James Lewis (b. 1962)

Alias:
James E. Lewis

Birthplace:
Washington, District of Columbia, USA

Born:
September 1, 1962

James Lewis was born and raised in Washington, D.C. Lewis has recorded over 900 audio books, appeared on numerous commercials and tv shows including a recurring role on HBO's The Wire, and principal roles on America's Most Wanted. James has also appeared in several independent films, including Euphoria which won a gold medal at the Houston Film Festival, Red River which won a Paul Robeson award for lighting, and For Love of Liberty which won the 2011 NAACP Award for best documentary and boasted an all-star narration cast including Halle Berry, Bill Cosby, Mel Gibson, John Travolta and Robert Duvall. In addition, Lewis has lent his voice talents to bring to life such DC Comics characters as Green Lantern John Stewart, Nightwing, Firestorm, Jimmy Olsen and Clayface in the DC Comics audio adaption of Crisis on Infinite Earths which won him an Audiofile Award for best ensemble cast. James won a 2011 Aurora Award and Telly Award for Best Comic Performance in the web production "I Can Live with That". James is also the recipient of the prestigious Actors Center Award in Washington DC. In 2009, Lewis provided over 15-character voices for Fallout 3, which to date, has won multiple awards including Best Overall RPG, Best Overall Console Game, Overall Game of the Show for E3, GamePro Magazine "PC Game of the Year, Game Developer's Choice Awards, Golden Joystick Awards, Best Xbox Game from Official Xbox Magazine, and Best PC Game from GameSpy to name a few. In 2018 Lewis' audiobook "Who Is the Black Panther" won audiobook of the year from Audiofile Magazine. In 2020 James was a silver Telly award for his work as both an actor and producer in the graphic novel "Germ Warfare" Additionally in 2020 James was nominated for 2 SOVAS awards for best Audiobook Narration and Best Audiobook Producer.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.