A work in constant progress (and occasional regress).
Birthplace:
Fortaleza, Ceará, Brazil
Born:
November 25, 1962
From Ceará, director, photographer and screenwriter graduated from EICTV-Cuba, Jane is a pioneering woman in cinema photography in Brazil. Awarded for her work as photographer for the films Cachaça (1995) and O Pedido (1999), by Adelina Pontual; Maracatu, Maracatus (1995) and Clandestina Felicidade (1998), by Marcelo Gomes; A Árvore da Miséria(1998), by Marcus Vilar; Kátia (2012), by Karla Holanda; and Danado de Bom (2016), by Deby Brennand. She is the director and screenwriter of the award-winning short film No Passo da Véia (2002), chosen to be part of the DVD The World According to Shorts, vol 1. Her first feature film, Restos de Deus Entre os Dentes, is in the final phase .
Art Direction:
1991 El Monstruo
Book:
1991 El Monstruo
1994 Red Card
Camera Operator:
1991 El Monstruo
1994 Red Card
1995 Maracatu, Maracatus
Cinematography:
1991 El Monstruo
1994 Red Card
1995 Maracatu, Maracatus
1997 Cachaça
1998 Clandestina Felicidade
1998 The Misery's Tree
2004 Copo de Leite
Director:
1991 El Monstruo
1994 Red Card
1995 Maracatu, Maracatus
1997 Cachaça
1998 Clandestina Felicidade
1998 The Misery's Tree
2002 The Old Woman's Step
2004 Copo de Leite
Director of Photography:
1991 El Monstruo
1994 Red Card
1995 Maracatu, Maracatus
1997 Cachaça
1998 Clandestina Felicidade
1998 The Misery's Tree
1999 O Pedido
2000 Rifa-me
2001 The Keeners
2002 The Old Woman's Step
2004 Copo de Leite
2005 Véio
2013 Duas Luas
Writer:
1991 El Monstruo
1994 Red Card
1995 Maracatu, Maracatus
1997 Cachaça
1998 Clandestina Felicidade
1998 The Misery's Tree
1999 O Pedido
2000 Rifa-me
2001 The Keeners
2002 The Old Woman's Step
2004 Copo de Leite
2005 Véio
2013 Duas Luas
???? Nimuendajú
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.