A work in constant progress (and occasional regress).
Cinematography:
2009 B Fachada: Tradição Oral Contemporânea
Director:
2006 11 Donkeys Fall in an Empty Stomach
2008 ANIKI na CASA
2009 B Fachada: Tradição Oral Contemporânea
2009 Mandragora officinarum
2010 Significado, se a música portuguesa gostasse dela própria
2012 Vamos Tocar Todos Juntos Para Ouvirmos Melhor
2015 … because I am not the 21st Century’s Giacometti
2017 Os Cantadores de Paris
???? Arritmia
???? O Intendente é um lugar psicológico
Editor:
2006 11 Donkeys Fall in an Empty Stomach
2008 ANIKI na CASA
2009 B Fachada: Tradição Oral Contemporânea
2009 Mandragora officinarum
2010 Significado, se a música portuguesa gostasse dela própria
2012 Vamos Tocar Todos Juntos Para Ouvirmos Melhor
2015 … because I am not the 21st Century’s Giacometti
2017 Os Cantadores de Paris
???? Arritmia
???? O Intendente é um lugar psicológico
Producer:
2006 11 Donkeys Fall in an Empty Stomach
2008 ANIKI na CASA
2009 B Fachada: Tradição Oral Contemporânea
2009 Mandragora officinarum
2010 Significado, se a música portuguesa gostasse dela própria
2012 Vamos Tocar Todos Juntos Para Ouvirmos Melhor
2015 … because I am not the 21st Century’s Giacometti
2017 Os Cantadores de Paris
2021 Spread Through Inland
???? Arritmia
???? O Intendente é um lugar psicológico
Writer:
2006 11 Donkeys Fall in an Empty Stomach
2008 ANIKI na CASA
2009 B Fachada: Tradição Oral Contemporânea
2009 Mandragora officinarum
2010 Significado, se a música portuguesa gostasse dela própria
2012 Vamos Tocar Todos Juntos Para Ouvirmos Melhor
2015 … because I am not the 21st Century’s Giacometti
2017 Os Cantadores de Paris
2021 Spread Through Inland
???? Arritmia
???? O Intendente é um lugar psicológico
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.